Drew McManus on the Orchestra business | est. 2003

A Tale Of Two Cities & A Tale Of Two Music Critics

Wed, Jun 6, 2006
Two recent articles from music critics in Detroit and Pittsburgh caught my attention this week as they made the strikingly similar observations about their respective orchestras…

How Does New Music Get To The Audience?

Tue, Jun 6, 2006
I’ve received a number of email messages over the past week from readers asking how new music gets from a composer to an audience. As such, in preparation for some upcoming discussions on that subject here and at Polyphonic.org (as well as the current material available at NewMusicBox), I put together a basic primer designed

All About Grant Park

Mon, Jun 6, 2006
As the recipient of 50% of their revenue from government sources, the Grant Park Music Festival in Chicago, Illinois is the closest thing the U.S. has to a government sponsored ensemble. The organization utilizes a unique operational model worth taking a look at and they go a long way toward breaking down some commonly positions

Is There Room In The CBA For Composers?

Fri, Jun 6, 2006
Stemming from the Orchestra Summit 2006 discussion panel I moderated for New Music Box, the issue of including composers in the collective bargaining agreement became in intriguing topic. That topic will be explored in more detail at Polyphonic.org from June 19-23 during their June Virtual Discussion Panel, but in the meantime I wanted to find

Reporting On Ticket Prices

Thu, Jun 6, 2006
Following on the heels of the popular ticket price article from June 1st, 2006 the Wall Street Journal published an article by Jacob Hale Russell on June 4th that reports on the "The Price Is Right. Or Is It?" session from the 2006 ASOL conference. According to the article, it appears my forecasts weren’t far