Click.Click.Done. Session for #SETC2020 Has A Time And Room Assignment

I’m very happy to announce that the Click.Click.Done. Must-Have Google Analytics Settings and Reports session I’m presenting along with Ceci Dadisman for the 2020 Southeastern Theatre Conference (#SETC2020) convention in Louisville, KY officially has a date, time, and room assignment:

  • When:, Fri, Feb. 28, 2020 | 10:30–1:45 p.m.
  • Where:  Room LO 16

Session Description:

Before looking at any data, it is important to have your Google Analytics account set up properly. All attendees will receive step-by-step guides for getting those settings in place, creating custom reports, copies of all presentation materials, and the chance to implement skills in real time. All skill levels welcome! Attendees will need access to Wi-Fi.

This is an updated version of what is certainly the most popular conference session and webinar I’ve run over the past decade. The great thing about the topic is it is constantly evolving so even if you attended a version a few years ago, there is almost certainly enough new information to make attending again worthwhile.

Registration is still available.

Are you planning on attending? If so, let’s connect. I’ll be giving away free Arts Admin Merit Badges, but you have to come find me to claim one.

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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