Drew McManus on the Orchestra business | est. 2003

Artistic Administration

The Curious Case Of Currier’s Claim

Thu, May 5, 2013
Adaptistration Lady Justice
There’s a terrific article by Brian Wise in the 5/20/2013 edition of WQXR.org that reports on the latest wrinkle in an ongoing lawsuit between composer Nathan Currier and the Brooklyn Philharmonic. In 2004, Currier apparently paid the Brooklyn Phil $72,000 to premiere one of his compositions (that’s just under $89k after inflation). During the 4/21/04

Cellos Are Back In The News

Fri, Mar 3, 2013
cello
The 3/13/13 edition of the Wall Street Journal (WSJ) published an article by Scott McCartney that focuses on the growing perils of musicians traveling with instruments on commercial flights. The focus of the article was cellist (and Inside The Arts author) Lynn Harrell and his well publicized commotion vis-a-vis Delta Airlines, but what helps McCartney’s

What A Genuinely Terrific Good News Story

Wed, Feb 2, 2013
What musician doesn’t dream of rising to fame by filling in at the very last moment for a featured soloist to rave reviews? After all, it worked for Toscanini and that lighting has to strike again at some point in time, right? It just so happens that it struck again in New Orleans via the

What A Great Way To Bring In New Subscribers

Mon, Jan 1, 2013
There’s nothing quite like experiencing three shows of Bugs Bunny At The Symphony in the space of two days, which is precisely how I spent the past weekend here in Chicago. It was particularly fun to sit in the audience and take in all of the ambient chatter. There were no shortage of families with

Ring Around The Revenue

Tue, Dec 12, 2012
Smartphone
The Nokia Conversation blog published an article on 11/9/2012 profiling one of their recent projects centered on using a live symphonic orchestra to record bespoke classical music ring tones. The project was created after Nokia conducted a preference study which determined classical music ring tones were the second most popular offering. As a result, the
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