Drew McManus on the Orchestra business | est. 2003

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From Reflection To Relevancy: Part 1

Wed, Aug 8, 2009
Throughout the business, soul searching seems to be all the rage these days as orchestra stakeholders attempt to justify an institution’s value to the community and the art form in the wake of declining audience numbers and diminished public status. Typically, this process eventually manifests into some sort of institutional visioning and/or strategic planning process,

Accountability, Performance Reviews, and Planning

Tue, Aug 8, 2009
Welcome Back!  Yesterday, we talked about trying to raise money after the concerts are done.  Today I want to focus in on accountability, performance reviews, and tactical planning. One topic I hear a lot about in the orchestra world is accountability.  In a very obvious way, musicians are accountable every time the orchestra plays.  They

Raising Money When The Concerts Are Done

Mon, Aug 8, 2009
Hello all!  I’d like to start by thanking Drew for inviting me to participate.  I’ve known Drew online for many years, going back to a series of animated but friendly discussions about Executive Director compensation right here at Adaptistration.  I was happy to meet Drew in person for the first time recently at the League

Orchestral Acoustics 101: Lies, Damn Lies, and Statistics

Fri, Aug 8, 2009
Christopher Blair – full time acoustician, part-time conductor,  last time blogger. We come to Friday and the end of Drew’s absence from these pages. I have really enjoyed my time here (Thanks, Drew for providing this forum!) and look forward to possible future exchanges. This being my last day, I thought I’d try something different

Orchestral Acoustics 101: Beware the Seductive Model

Thu, Aug 8, 2009
Christopher Blair –  full time acoustician, part-time conductor,  4th time blogger. Before anyone gets excited, I am talking about acoustical models here (sigh), but even these can produce dangerous results.
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