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Let’s See If Recent Changes Can Shake Things Up In Shreveport
Wed, Jul 7, 2009
by Drew McManus
It’s been a few months since we checked in with things at the Shreveport Symphony Orchestra (SSO) but suffice to say, the mission based schizophrenia issues remain unchanged (details here) as does the organization’s webpage which continues to display a pops event that took place on May 21, 2009. What has changed is the organization’s
No Easy Answers
Tue, Jul 7, 2009
by Drew McManus
Last week’s poll asking readers whether or not they think it is appropriate for performing arts service organizations to apply for public and/or private grants alongside member organizations produced some fascinating results. At the time this post was written there were just under 100 responses. Although there was no heavy majority, the overall attitude toward
Adaptistration Is Now Officially Mobile Friendly
Mon, Jul 7, 2009
by Drew McManus
Last week, I finally joined the denizens of web enabled Smartphone users with the purchase of a BlackBerry 8330. As such, I’ve noticed that a number of web pages and blogs are rendered by the browser are done so with less than desirable results. Granted, iPhones and the newer touch-screen BlackBerry’s don’t seem to have
It’s A Little Kitschy But I’ve Heard Worse
Fri, Jul 7, 2009
by Drew McManus
Just in case you haven’t seen it already, you really should check out the video of Lithuanian conductor/composer Mindaugas Piečaitis’ piece he composed to accompany one of Nora, the piano-playing cat’s videos. It’s actually a lovely tune and he does an excellent job at extracting the harmonic structure based on Nora’s playing and turning it
With Friends Like These?
Thu, Jul 7, 2009
by Drew McManus
Every now and then a topic here at Adaptistration generates a great deal of private email responses; the most recent example are the responses to the 7/13/09 article which examined how the National Endowment for the Arts (NEA) distributed economic stimulus funds. Toward the end of the article, I pointed out that some of the
