Drew McManus on the Orchestra business | est. 2003

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Self Inflicted Wounds

Thu, Feb 2, 2009
by Drew McManus
Holly Mulcahy published the last installment in her series of articles which examines how each group of orchestral stakeholders can manage to alienate current and potential concertgoers. Having already covered music directors, musicians, and managers, the final article takes a satirical look at how audience members manage to alienate each other. I’m sure any long
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Following Up On Access And Affordability

Wed, Feb 2, 2009
by Drew McManus
Never one to avoid putting his money where his mouth is, Alex Ross posted a follow-up article to his “Cheap Seats” post which highlights some affordable concert offerings in the New York City area as well as throughout the US and UK. Alex also takes a moment to point out the benefit of having centralized
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Breaking News: Blagojevich Founds New Orchestra

Tue, Feb 2, 2009
by Drew McManus
According to the federal criminal complaint against ex-Illinois governor Rod Blagojevich, he was “intercepted conspiring to sell [President Obama’s] Senate seat in exchange for millions of dollars in funding for a non-profit organization that he would start and that would employ him at a substantial salary after he left the governorship” (page 57). Notwithstanding, the
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Something Doesn’t Smell Right In Madison

Mon, Feb 2, 2009
by Drew McManus
After making steady progress on months of contentious negotiations, the Wisconsin Chamber Orchestra (WCO) issued a press release on January 30, 2009 announcing they were cancelling an upcoming February concert nearly a month away. According to the PR, the reason for the cancellation is because the Musicians of the Wisconsin Chamber Orchestra negotiation committee rejected
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Good News About The Negotiation Process

Thu, Jan 1, 2009
by Drew McManus
Amid a season filled with real and potential negotiation strife, there are still a number of instances where the collective bargaining process is being implemented without undue friction. One recent example is the Westchester Philharmonic negotiations which concluded at the onset of 2009. What makes this particular negotiation worth examining is the fact that not
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.