All of the recent Chicken Little oriented news reported in the Columbus Dispatch has prompted a considerable response throughout the cultural blogosphere. Some of it has been somewhat plaintive while other posts have been red-hot over how the situation is unfolding. In a related issue, although the Dispatch published an editorial in support of the Columbus Symphony Orchestra (CSO) board’s proposed financial plan, they have not pursued what is normal procedure for most newspapers by publishing an op-ed piece shortly thereafter although several have been submitted from official sources in opposition to the proposed financial plan. As such, here’s a breakdown of who is writing what…
Labor Relations
Dynamic Consequences Taking Shape In Columbus
The 3/12/2008 edition of the Columbus Dispatch published an article by Barbara Carmen that reports Franklin County, the county where the Columbus Symphony Orchestra (CSO) is located, approved a $1.2 million matching grant for area arts groups and the CSO will receive a considerable share of those resources if they successfully raise the matching funds. Beyond the obvious fact that this is good news for the CSO, and all central Ohio arts groups, it is important to note that the article reports that Kate Matheny, grants coordinator for Franklin County, said "the goal [of the matching grant] isn’t just to stabilize arts organizations, but to plan for their growth." Matheny’s quote should serve as a warning shot to the CSO executive board…
In Columbus, The War Of The Rhetoric Begins
Updated 10:30 a.m. CT: The 3/14/2008 edition of the Columbus Dispatch published an article by Michael Grossberg which included some of the first volleys of traditional rhetoric usually reserved for contentious labor negotiations. In particular, the article reports that Tony Beadle, Columbus Symphony Orchestra (CSO) Executive Director, accused the Columbus Symphony Orchestra Musicians’ Association of "rebuffing" the CSO board’s recent efforts to meet with the musicians thereby jeopardizing crucial fundraising efforts. However, the article fails to report that the musicians never received a formal notice to initiate negotiations from the CSO board until the beginning of the week of 3/9/2008. Furthermore, the musicians accepted the request and notified the CSO board on 3/13/2008 that they would be willing to meet with them with counsel for the initial bargaining session as early as today, 3/16/2008…
Are You Suffering From Trombone Envy?
Holly Mulcahy posted what I thought was a fascinating article last week at The Partial Observer which examines how even professional orchestra musicians are sometimes unaware of the occupational pitfalls of their musician colleagues. The gist of the article is that a little knowledge goes a long way toward improved understanding and job satisfaction and that made me think about two specific issues…
In Columbus, They’re Playing Like There’s No Tomorrow
In a press release from February 26, 2008 the Columbus Symphony Orchestra (CSO) Musicians voted to allow a live recording of an upcoming masterworks concert featuring Symphony No. 5 and the Romeo and Juliet Fantasy Overture by Peter Tchaikovsky for Denon, which intends to release it on compact disc. According to the PR, the musicians voted to accept a reduction in payments that would allow the organization to produce the recording "for a tenth of what a normal studio recording of the same program would cost" at the personal request of Music Director Junichi Hirokami. And from the player’s perspective it may be one of the CSO’s last hurrahs…