Drew McManus on the Orchestra business | est. 2003

Musician Issues

To Fee Or Not To Fee

Mon, Aug 8, 2022
by Drew McManus
While it might seem like today’s title is setting up a conversation about ticket fees, it’s actually about audition application fees. On 8/8/2022 I posted a short quiz asking readers to select which scenario they thought was most common when musicians audition for an opening. The multiple-choice selections provided each combination of scenarios involving exclusive fees
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#TBT Rethinking The Audition Process

Thu, Aug 8, 2022
by Drew McManus
Monday’s quiz about audition fees has generated a large number of responses. I’m leaving it open until we circle back to the topic next week but in the meantime, here’s what readers think (so far) about which scenarios are most common for musicians auditioning for an opening: For more on this topic, here’s an article
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The Cost Of Excessive Workloads

Wed, Aug 8, 2022
by Drew McManus
In March, 2021 the field was starting to emerge from the pandemic to live performing and I launched a poll asking musicians about their concerns over physical, emotional, and psychological risks related to returning to work. At the time, musicians were concerned about both at nearly equal rates. While the exercise was somewhat academic then,
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Industry IQ Pop Quiz: Audition Fees

Mon, Aug 8, 2022
by Drew McManus
Time for a pop quiz to help measure your knowledge about the orchestra field. Perhaps unsurprisingly, there’s a reason for today’s quiz, and we’ll examine responses at an upcoming article on this topic.
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#TBT Can You Afford To Take That Gig

Thu, Jul 7, 2022
by Drew McManus
In what feels like lifetimes ago, I launched the Gig After Gas Online Calculator in 2008 (shout out to Jason Heath for his help then). The tool was a response to rising costs of gas prices following the housing meltdown. In hindsight it was super simple but at the time, required a good bit of
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.