Drew McManus on the Orchestra business | est. 2003

Negotiations

Indianapolis Symphony Terminates Health Care Coverage

Fri, Jun 6, 2020
Like many orchestras, the Indianapolis Symphony Orchestra (ISO) engaged austerity measures at the onset of the COVID-19 pandemic. It began with furloughs in March, but musicians and staffers were able to come back to work at reduced pay in April following a Paycheck Protection Program (PPP) loan. The PPP funds lasted for several weeks but

Examining Recession Era Compensation Trends

Mon, Jun 6, 2020
The 2020 Orchestra compensation reports are coming out next week so between now and then, it’s worth taking a quick look at how past recessions have impacted compensation. Simply put, there are no shortage of lessons to learn. When taking a look at the most recent long-term averages for executives, music director, and concertmaster compensation

The Curious Case Of Baltimore’s Undisclosed Details

Thu, Oct 10, 2019
Adaptistration People 082
When the Baltimore Symphony Orchestra (BSO) announced a new one-year agreement that brought the multi-month work stoppage to a close, it was cause for celebration and relief. Information about the stopgap agreement’s terms were vague, but that’s not exactly unusual under these conditions. As such, I reached out to both stakeholders with a request for

Baltimore Symphony Gets A New Board Chair

Mon, Sep 9, 2019
Adaptistration People 062
In the wake of the acrimonious labor dispute that led to a summer-season killing work stoppage, the Baltimore Symphony Orchestra (BSO) announced that the board chair who led the group through that stakeholder fight is stepping down. While it isn’t unusual to see key leaders depart after the end of a bitter labor dispute, the

Baltimore Ratifies One-Year Deal

Mon, Sep 9, 2019
Adaptistration People 021
The Baltimore Symphony Orchestra (BSO) ratified a new on-year collective bargaining agreement (CBA) Monday morning that gets the orchestra back into the hall for rehearsals ASAP. The Baltimore Sun published an article by Mary Carole McCauley and Christina Tkacik with initial details but that information is, at best, vague. On one hand, it appears that
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