Drew McManus on the Orchestra business | est. 2003

Detroit Symphony Orchestra

Get Money, Get Paid

Mon, Jun 6, 2011
by Drew McManus
Two articles worth looking into came out last week that touched on what will almost certainly become an increasing flashpoint of attention in coming months: executive compensation. First up is Peter Dobrin’s article in the 6/9/2011 edition of the Philadelphia Inquirer that takes a long look at recently released compensation figures for Philadelphia Orchestra Association
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All About Emmanuelle

Fri, May 5, 2011
by Drew McManus
There was definitely no shortage of attention focused on Emmanuelle Boisvert’s decision to leave her position as concertmaster of the Detroit Symphony Orchestra for an associate concertmaster position at the Dallas Symphony. According to a Google News search, the related Associated Press article was picked up by more than 100 outlets in addition to more
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Reading Between The Lines In Detroit

Thu, May 5, 2011
by Drew McManus
Following the news that Detroit Symphony Orchestra concertmaster Emmanuelle Boisvert decided to leave her position for an associate concertmaster position at the Dallas Symphony Orchestra, the Detroit Symphony issues a brief statement from board chair, Stanley Frankel. Frankel’s statement could perhaps best be described as profoundly indifferent…
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Detroit Concertmaster Leaves For Dallas

Wed, May 5, 2011
by Drew McManus
Breaking News: Long time Detroit Symphony Orchestra concertmaster Emmanuelle Boisver announced today that she will be leaving her position for the Dallas Symphony Orchestra where she will serve as associate concertmaster. Her reasons are clearly stated in her full press statement (available below) and her decisions could be construed as a very public vote of
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Philadelphia; In Their Own Words

Mon, May 5, 2011
by Drew McManus
On 5/20/2011 Philadelphia Orchestra Association (POA) CEO and President Allison Vulgamore and Orchestra Musicians Committee chair and cellist John Koen joined WHYY host Marty Moss-Coane on Radio Times to discuss the future of the Philadelphia Orchestra. At nearly one hour (w/commercials) it’s a long program but the entire episode is available at the show’s archives…
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.