Substitute Parity At ICSOM Orchestras 2019

Adaptistration People 177

In 2014, we took a deep dive into which International Conference of Symphony and Opera Musicians (ICSOM) symphonic orchestras paid substitute musicians the same rate as core musicians and in the wake of a recent conversation with ICSOM chairperson Meredith Snow and ICSOM President Paul Austin, it’s time to update that list. My thanks to Paul Austin for spearheading this effort and providing ICSOM’s list of changes. As with most comparative …

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Shop Talk: S01E01 Poke It With A Stick

Surprise! Today marks the inaugural episode of a new video podcast series where I sit down with movers and shakers in the field and talk shop. Today’s episode focuses on a topic near and dear to my own arts admin heart: substitute musician equal pay for equal work. I’m joined by a pair of leaders from the musician side of the equation, International Conference of Symphony and Opera Musicians (ICSOM) chairperson …

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And Then That Happened

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I’m away at the 2016 @ArtsMidwest conference today but want to quickly point out two items of notes related to substitute parity (paying substitute musicians an equal per-service rate as their salary based colleagues). Regular readers know the topic of equal pay for equal work among orchestra musicians is a popular topic and one ongoing curiosity throughout those articles is a complete reticence by spokespersons from orchestra player associations, player conferences, …

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A Crisis Of Conscience Inside The AFM

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The topic of equal pay for equal work as applied to substitute musician wages has been an uphill examination over the past year. We began exploring the topic in the wake of the Minnesota Orchestra settlement that ended their season-killing lockout after learning the agreement failed to maintain wage parity for substitute musicians and even when the option of achieving parity through direct action was available, the musicians and their Local …

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Equal Work For Equal Pay: An Orchestra Musician Third Rail Topic

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One of the most common tasks in my consulting work with boards and administrators is adjusting preconceived notions about the musicians union. One of the reasons misconceptions are so common is the musicians’ unique level of self-determination and direct representation is in stark contrast to most other labor unions. A Fascinating History Beginning in the 1960s, orchestra musicians sought to displace the existing method for crafting collective bargaining agreements (CBA) by …

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