Drew McManus on the Orchestra business | est. 2003

Philadelphia Orchestra

Philadelphia Pensions: Then And Now

Wed, Jun 6, 2011
Hopefully, you caught Peter Dobrin’s article in the 6/27/2011 edition of the Philadelphia Inquirer which examines the Philadelphia Orchestra Association’s (POA) request to be relieved from their musician pension obligations via their bankruptcy petition. Dobrin provides an enormous amount of insight into current events an additional item worth considering here is the POA’s historic position

"Failure Begins At The Top"

Mon, Jun 6, 2011
Today’s headline is an excerpt from a piece by San Francisco Chronicle music critic, Joshua Kosman, in an article that was published on 6/19/2011. Kosman’s article is the latest in a growing chorus of voices within the extended field that are taking a much harder look at the root of problems among performing arts organizations

Get Money, Get Paid

Mon, Jun 6, 2011
Two articles worth looking into came out last week that touched on what will almost certainly become an increasing flashpoint of attention in coming months: executive compensation. First up is Peter Dobrin’s article in the 6/9/2011 edition of the Philadelphia Inquirer that takes a long look at recently released compensation figures for Philadelphia Orchestra Association

Philadelphia; In Their Own Words

Mon, May 5, 2011
On 5/20/2011 Philadelphia Orchestra Association (POA) CEO and President Allison Vulgamore and Orchestra Musicians Committee chair and cellist John Koen joined WHYY host Marty Moss-Coane on Radio Times to discuss the future of the Philadelphia Orchestra. At nearly one hour (w/commercials) it’s a long program but the entire episode is available at the show’s archives…

Accountability: A Referendum On You

Mon, May 5, 2011
Last week was a abuzz with Philadelphia Orchestra Association (POA) bankruptcy news at the Philadelphia Inquirer. It published op-ed articles on 5/18/2011 about the POA’s bankruptcy decision from board chair Richard B. Worley and musician spokesperson and cellist John Koen. On 5/19/2011 classical music critic Peter Dobrin posted a commentary piece that cast reservations on
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