The Realities of Orchestral Life
Tue, Sep 9, 2004
by Drew McManus
Next Monday, September 27th I have the honor of serving as a guest speaker at the Eastman School of Music’s Institute for Music Leadership. The class, taught by Professor Ray Ricker, is titled "The Realities of Orchestral Life" and explores changing attitudes and the ways musicians can become more pro-active in shaping their workplace; my
Play And Talk In Philadelphia
Mon, Sep 9, 2004
by Drew McManus
Shortly after midnight on 9/20/04 the negotiating teams for The Philadelphia Orchestra Association and the American Federation of Musicians, Local 77, jointly issued the following statement: The negotiating teams for The Philadelphia Orchestra Association and the American Federation of Musicians, Local 77, have been working for many months in an effort to negotiate a new
Website Reviews: Special Recognition Awards
Fri, Sep 9, 2004
by Drew McManus
Even though there was only one orchestra in 1st place, I wanted to take the time to award some of the really wonderful and unique aspects from among the websites I evaluated. These features deserve recognition and attention from those inside and outside of the industry. I also wanted to point out some orchestra website
The Best Orchestra Website Is In Chicago
Thu, Sep 9, 2004
by Drew McManus
After the dust settled from the evaluation process, it was clear the winner was the Chicago Symphony Orchestra. They didn’t win because they’re one of the “Big five” orchestras or because they have a big budget, there were plenty of big budget orchestras that received low scores ( {cough, cough} New York {cough} L.A. {cough}
1st Annual Adaptistration Orchestra Website Review
Wed, Sep 9, 2004
by Drew McManus
What makes a good orchestra website? Is it pretty pictures, a nice layout, or color scheme that makes you feel warm and comfortable? All of those things are worth considering at some level but they’re also subjective. An orchestra website should focus on two basic principles that are not subjective, one major and the other
