“Psssst…hey you…yeah, you der…c’mer…over here. Yeah, dat’s right, over here…I hear youse been lookin’ for a new revenue stream. Say, buddy, I’se got just what youse need…” That might seem a bit melodramatic but the reality is that some managers are so desperate for revenue they would be willing to talk shop in a dark alley. Fortunately, it doesn’t have to reach that extreme, but you will have to continue reading this blog post to find out more about how to tap into a sustainable revenue stream that can be developed without sacrificing other revenue performance resources …
Month: July 2009
Tangling A Web
The 7/14/2009 edition of the New York Times published an article by Simon Akam that reports Leonard Leibowitz, long time counsel to American Federation of Musicians (AFM) Symphonic Services Division, to AFM Local 802 (New York), International Conference of Symphony and Opera Musicians (ICSOM), and to numerous orchestras around the country, was arrested and charged on 7/14/2009 with embezzling approximately $150,000 from a union representing dancers and stage managers at American Ballet Theater…
Orchestra Administration À La Venn Diagram
Although the essays on orchestra governance are still the standard for learning what you need to know about orchestra administrators, you can now use this handy Venn diagram to see how each department interacts with other groups of orchestra stakeholders… “You can fool all the people some of the time, and some of the people all the time, but you cannot fool all the people all the time.” – Abraham Lincoln …
IGNORE ME!!!
More precisely, you should ignore everybody. At least that’s the perspective of author Hugh MacLeod in his book Ignore Everybody: and 39 Other Keys to Creativity. I’m not even all the way through this book yet I can’t recommend it enough. It’s a quick and easy read and based on what I’ve already read, there’s a wealth of insight that can be adopted to benefit everyone in this business (administrators, musicians, patrons, etc.)…
Following the NEA Stimulus Money
True to their word, the National Endowment for the Arts (NEA) distributed all of the American Recovery and Reinvestment Act funds (AKA Stimulus Funds, Federal Bailout, etc.) within five months of the economic recovery bill. Not long ago, the NEA posted a list of nonprofit arts organizations that received a direct grant to “support the preservation of jobs that are threatened by declines in philanthropic and other support during the current economic downturn.” Here’s a list of how those funds were distributed along with some cross tabulation not available at the NEA website…