Drew McManus on the Orchestra business | est. 2003

NEA RIP

Tue, Nov 11, 2010
by Drew McManus
Conductor Bill Eddins posted a thought provoking (or was it just provoking?) piece on 11/3/2010 simply titled “Kill the NEA.” On the surface, it might look like a ploy to draw in readers but it doesn’t’ take long to see that there’s much more beneath the surface…
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Expansionary Or Diversionary?

Mon, Nov 11, 2010
by Drew McManus
Last Friday, 11/5/2010, the Detroit Symphony Orchestra (DSO) and its musicians declared a pseudo cease fire in the one month, three day long strike by agreeing to engage in “informal discussions.” According to reports in the Detroit News by Michael Hodges and Detroit Free Press by Mark Stryker, there aren’t many details but what we
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“Must Have” Info About The New Twitter

Fri, Nov 11, 2010
by Drew McManus
If you aren’t already aware, Twitter is in the process of gradually nudging users toward the updated user interface and although it is undeniably better than its predecessor, it does have one annoying drawback that will likely cause a pain in your neck: it isn’t compatible with most custom backgrounds…
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The Seven Deadly Sins Of Culture Blog Commenting

Thu, Nov 11, 2010
by Drew McManus
When it comes to the Detroit Symphony Orchestra (DSO) strike, there doesn’t seem to be much of a shortage of opinions and observations. Case in point, the post here from 10/29/2010 has generated a substantial number of comments that focus on everything from the original blog topic (branding) to a dozen other business related issues
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It’s Lucky Number Seven For Adaptistration!

Wed, Nov 11, 2010
by Drew McManus
Adaptistration turn seven years old today and I can say with all confidence that culture blogging, readership, and reader interactivity has never been better! Moreover, year seven has a number of changes in store related to what Adaptistration delivers and how readers interact…
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.