Drew McManus on the Orchestra business | est. 2003

Home For The Holidays

Thu, Dec 12, 2010
I’m heading home today from Nepal and although I’m looking forward to getting back to Chicago, there’s no way to deny that working with the Unatti House and surrounding Bhaktapur children was an emotionally fulfilling experience. Clearly, there is ample need and opportunity for the HEARTbeats Foundation to implement an ongoing and sustainable program to

I’d Like To A/B That!

Thu, Dec 12, 2010
Philanthropy.com published an article on 12/10/2010 by Raymund Flandez that reports nonprofit orgs raise more money directly through their own websites as opposed to third party portals. At the same time, the article indicates that donation pages and shopping carts managed by a third party provider that maintain the organization’s branding and/or display the name

How Did We Get Here?

Tue, Dec 12, 2010
Guest-Author
In a recent post, Drew highlights a remark by author Joseph Horowitz suggesting that musicians should no longer expect that orchestras owe them a living wage, i.e., a full-time salary. I thought I would use my brief stint as a guest blogger to elaborate on some of the history that led us to today’s paradigm

Never Let A Good Crisis Go To Waste

Mon, Dec 12, 2010
Guest-Author
I arrived at my new job on June 1, 2008, ready to delve into the standard industry-wide issues plaguing Orchestra Iowa: plummeting ticket sales, strained relations with the musicians, immense debt, and no cash to pay bills. Although I had spent several months before my arrival creating a first year outline, that plan literally got

Building Concert Halls, Part 3: How to ensure success

Fri, Dec 12, 2010
Adaptistration People 016
In contrast to the “outside in approach” discussed in my last installment, great concert hall design starts with accommodating the essential requirements of both performers and audience, then moving outward in its architectural expression for support areas and public spaces….an “inside out approach”. There is an old expression: “form follows function” which today’s designers of
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