The Habits Of Successful Young Arts Admin Professionals

Adaptistration People 020

One aspect of #NAMPC 2013 I neglected to mention was just how enjoyable it is to mingle with a broad cross section of professionals at different career stages; which is merely a polite way to say that there was a wide variety of newbies, mid-carrier, and veteran arts pros in attendance. It’s especially enjoyable to interact with the 20-somethings, now more than ever because the post-downturn crop of inductees is very …

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The Most Adorable Bunch Of Tiny White Guys. Ever.

On 1/15/2013, ABC7 News in Chicago broadcast a segment by Frank Mathie about a new exhibit of the 100 year old miniature Chicago Symphony Orchestra (CSO), created by famous miniaturist Frances Glessner Lee as her first large scale project. Lee’s parents were plankowner angel donors to the CSO in its early years and the 75 member mini-CSO was a gift for Lee’s mother in 1913. Of particular interest is the amount …

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The Only Thing We Have To Fear Is Each Other

There’s an absolutely fascinating discussion going on as the result of a 7/2/2012 blog post from Diane Ragsdale. I plan to cover the main topic of that post at a later date but one of the ancillary issues stemming from the discussion worth your attention is what appears to be the onset of a budget size based caste system within the theater field.

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International Touring c. 1912: Better Late Than Never

Recently, the London Symphony Orchestra (LSO) launched a Twitter account that is publishing diary entries from timpanist Charles Turner during the orchestra’s 1912 United States and Canada tour. It has been loads of fun reading the Twitter size excerpts and all things being equal, it seems as though the orchestra is keeping the Tweets synced with actual dates and times from the original tour schedule.

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How Did We Get Here?


In a recent post, Drew highlights a remark by author Joseph Horowitz suggesting that musicians should no longer expect that orchestras owe them a living wage, i.e., a full-time salary. I thought I would use my brief stint as a guest blogger to elaborate on some of the history that led us to today’s paradigm of full-time orchestral employment. Was the transformation from 1958 when a bare handful of orchestras paid a modest middle-class wage to today’s 50+ full-time orchestras an accident of history caused by the nexus of profligate national foundations and a greedy musicians’ union, or is there more to the story?

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