Drew McManus on the Orchestra business | est. 2003

More Than Just A Price Correction At The Met

Thu, Feb 2, 2013
by Drew McManus
Adaptistration People 033
The 2/26/2013 edition of the New York Times published an article by Daniel J. Wakin that reports the Metropolitan Opera is lowering ticket prices by 10 percent but the really interesting part here is the reason behind the decision. According to the article, The Met “decided they made going to the opera too expensive.” So
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Mid-Day Update: Met Opera Acknowledges They Made Going To The Opera Too Expensive

Wed, Feb 2, 2013
by Drew McManus
More on this tomorrow but the 2/26/2013 edition of the New York Times published an article by Daniel J. Wakin that reports the Metropolitan Opera has announced that they are lowering ticket prices by 10 percent. Acknowledging that the prices have risen to artificially high levels and were now counterproductive for raising revenue and increasing access, the Met is
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What A Genuinely Terrific Good News Story

Wed, Feb 2, 2013
by Drew McManus
What musician doesn’t dream of rising to fame by filling in at the very last moment for a featured soloist to rave reviews? After all, it worked for Toscanini and that lighting has to strike again at some point in time, right? It just so happens that it struck again in New Orleans via the
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Nose? Spite? Face?

Tue, Feb 2, 2013
by Drew McManus
There was an intriguing article by Doug Grow in the 2/22/2013 edition of MinnPost.com that examines the numerous political connections between the cast of characters involved in the Minnesota Orchestra Association (MOA) and St. Paul Chamber Orchestra (SPCO) lockouts. The premise of the article wonders about the lack of direct involvement from Twin Cities political
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You Don’t See This Every Day

Mon, Feb 2, 2013
by Drew McManus
Renowned cellist and Inside The Arts author Lynn Harrell published an article today announcing that after 50 years of making music together, he has decided to sell his 1720 Montagnana. The post recounts his time purchasing the instrument in 1962 but one of the real highlights is a particular line that is just about the
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.