TAFTO 2013 Contribution: Holly Mulcahy
Tue, Apr 4, 2013
Six Fail-Safe Ways to Get Your Concert On By: Holly Mulcahy; violinist and author of Neo Classical, a blog about the future of classical music. During this season I’ve enjoyed the honor of playing in several orchestras as guest concertmaster and one of the more enjoyable fringe benefits is a direct view of and/or direct
It’s Take A Friend To The Orchestra Week!
Mon, Apr 4, 2013
by Drew McManus
The 2013 Take A Friend To The Orchestra (TAFTO) program kicks off tomorrow and this year promises to be another fantastic program with contributions going up throughout the rest of the week. So, between now and tomorrow, get your empowerment on by organizing your own TAFTO related events via social media or good old fashioned get-togethers and
Six Minutes To Midnight On The Minnesota Orchestra Doomsday Clock
Fri, Apr 4, 2013
by Drew McManus
The Minnesota Orchestra Association (MOA) moved another minute closer to doomsday this week following a decision to cancel concerts through May 12, 2013; in this case, doomsday is marked by organizational collapse and subsequent liquidation bankruptcy. If the cancelation weren’t reason enough, the MOA decided to set aside the progress that appeared to be taking
Join Me Today On Twitter For Audience Relations
Thu, Apr 4, 2013
by Drew McManus
I’ll be taking part in a Twitter chat today about Orchestra Management and Audience Relations; especially during difficult periods such as contentious labor disputes. The Twitter chats are the brainchild of Shoshana Fanizza, from Audience Development Specialists, and feature a variety of specialists throughout the field to talk about specific topics related to…wait for it…audience
Remember That Password Thing?
Wed, Apr 4, 2013
by Drew McManus
If you’ve noticed that some websites seems sluggish or you’re having connectivity issues, you’re not alone. The past several days have witnessed a large uptick in coordinated hacker activity, with the lion’s share of the brute-force and DDoS variety. This is something performing arts groups need to pay attention to because thanks to lower-than-should-be budget
