Pssst, Wanna Get Free Access Christopher O’Riley’s Recordings?

For those of you who have been following the ongoing development of the ChristopherORiley.com website redesign, you know that we crossed the launch threshold early last week. In an enormous act of generosity, O’Riley decided to make his super-secret password protected Backstage Pass page available to any site visitor subscribing to his newsletter or blog; meaning you get full streaming access to all of his recordings through June 17, 2014 just for signing up to one or both.

O'Riley backstage pass promoIf that’s not enough, the recordings also include an out-of-publication album: his recording of Beethoven Sonatas (No. 7, No. 14, and No. 21).

And on an individual note, Christopher has been an ideal client to work with and made the process that much more productive and downright fun every step of the journey. He could write a book on collaboration and working relationships. Even before the official launch, he was publishing blog posts like mad at his new branded blog, “quips and clips,” and he hasn’t slowed down a bit. If there’s an artist that better represents the ability adapt and thrive while embracing advancements in technology without losing appear to all generations, it is O’Riley.

Helping advance that plan with a new website has been a rewarding and sincere experience.

But what are you waiting for, just look at all of the incredible free streaming music waiting for you for nothing more than subscribing to something you already want:

backstage pass

If you’re curious to learn more about project development details and site highlights, head over to the ChristopherORiley.com profile page at the Venture Platform website.

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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