Drew McManus on the Orchestra business | est. 2003

Commentary

The Cost Of Excessive Workloads

Wed, Aug 8, 2022
In March, 2021 the field was starting to emerge from the pandemic to live performing and I launched a poll asking musicians about their concerns over physical, emotional, and psychological risks related to returning to work. At the time, musicians were concerned about both at nearly equal rates. While the exercise was somewhat academic then,

If Your Digital Program Is A PDF Of The Print Version, You’re Doing It All Wrong

Thu, Aug 8, 2022
H/T to Joe Patti for pointing out an opinion piece by Washington Post music critic, Michael Andor Brodeur, that may perhaps be best described with the headline “Perfectly Normal Change Upsets White Male.” Having said that, he inadvertently touches on one of the very real problems with the way some arts organizations implement digital program

Looking For Unicorns On A Donkey Budget

Tue, Aug 8, 2022
The unicorn employee: someone with all the skills across a multitude of platforms, isn’t limited by job titles, and efficiently completes tasks at an awe-inspiring pace. They are willing, and even prefer, to wear different hats, inspire colleagues, and never lose empathy. Unicorns can make the difference between surviving and thriving and perhaps unsurprisingly, they

How Arts Marketing Can Avoid Khan’s Fate From Start Trek II: The Wrath Of Khan

Mon, Aug 8, 2022
Arguably, Star Trek II: The Wrath of Khan is one of the best Trek films that managed to save the franchise. It relies on a solid foundation of cinematic storytelling that resonates with a diverse audience delivered through several timeless lessons. Case in point, during the starship battle toward the film’s climax, both ships are

Just In Case You Thought Websites Were Losing Value

Wed, Jul 7, 2022
A recent report from IMACTS Experience (h/t Ruth Hartt) provides a data driven reminder about how important a website is to a nonprofit arts and culture organization. While measuring what they define as high-propensity visitors, ” folks who have an increased interest, inclination, or likelihood to attend cultural organizations,” the discovered that end-of-year 2019 vsQ2, 2022
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