Drew McManus on the Orchestra business | est. 2003

Governance

Quality Is Still King And Yes, People Know The Difference

Fri, Feb 2, 2015
Adaptistration People 008
There’s an intriguing article in the 1/28/2015 edition of the Chicago Tribune by Chris Jones (h/t You’ve Cott Mail) that examines the resurgence of suburban theater in the greater Chicago area. Among the reasons Jones’ lists for their recovery is a new dedication to quality, such as reversing trends toward using synthesized or recorded music

Risk, Return, And Responsibility: An Opera In One Unnatural Act

Mon, Aug 8, 2014
The 8/6/2014 edition of New York Times published an article by Anthony Tommasini titled “Let’s Talk About Risk at the Metropolitan Opera” and from a perspective limited purely to the confines of traditional music criticism, it’s a pretty good article. Regrettably, that’s one of the least useful perspectives to evaluate risk as it applies to

The Death Of Ethics

Mon, Jul 7, 2014
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Last week’s orchestra compensation reports produced one of the most troubling instances in its nearly decade long history by way of discovering the Detroit Symphony Orchestra (DSO) implemented a policy designed to obfuscate their music director compensation. Moreover, when asked about the compensation data, the DSO refused to release the information, even though their music

Alex Ross Couldn’t Be More Right (again)

Fri, Jun 6, 2014
ADAPTISTRATION-GUY-003
The 6/25/2014 edition of The New Yorker published an article by Alex Ross which examines the Metropolitan Opera’s (Met) ongoing “Klinghoffer” saga. Ross adds yet one more prominent voice of reason to the growing chorus of negative feedback surrounding the Met’s series of executive decisions that produced their decision to cancel the opera’s broadcasts. At

More Pushback Against A Surprise Shutdown Announcement

Thu, May 5, 2014
ADAPTISTRATION-GUY-083
In early May, 2014 the Green Bay Symphony Orchestra (GBSO) board of directors announced their decision to shut down the institution after the 2014/15 season. The board has held firm to that decision in the wake of patron support efforts to convince them otherwise but now some of the GBSO musicians are publicly resisting the
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