Drew McManus on the Orchestra business | est. 2003

Governance

What Are Your Favorite Robert’s Rules Resources?

Tue, Oct 10, 2019
Adaptistration People 157
I recently joined a board of directors and have been tasked with updating the organization’s Robert’s Rules of Order guideline. My plan is move from the existing text-heavy document (that no one reads or follows) to something that utilizes a user-friendly visual approach. It’s been at least seven years since I’ve taken a deep dive

I’ll Take The Job Description Turducken On Rye To-Go Please

Wed, Sep 9, 2019
Adaptistration People 020
It’s no secret nonprofit performing arts admins are overworked and underpaid. Fortunately, the issue is starting to get more attention but that hasn’t done much to curtail what I’ve noticed as a growing trend of stuffing an increasing amount of duties and responsibilities into single positions. Traditionally, you’ll find something resembling the following three-tiered structure

Define That: Total Fiscal Transparency

Tue, Aug 8, 2019
Adaptistration People 175
There’s a fascinating article by Charles T. Downey in the 8/12/19 edition of Washington Classical Review that examines the ongoing Baltimore Symphony Orchestra (BSO) lockout. Downey suggests that in order for the organization to maintain artistic integrity while addressing existing economic conditions, the BSO’s executive leadership must “establish total financial transparency.” That’s a superb suggestion

#TBT Remember The Days When Neoreactionaries Seemed Extreme?

Thu, Jul 7, 2019
Adaptistration People 131
Back in July, 2014 I published a post about what I defined as the end of the golden age of orchestras and opera. I came to that conclusion, in part, because of the sharp increase in neoreactionary dominated culture. Within that context, neoreactionaries were those who cast themselves as victims within a larger operating environment

A Question Of Systemic Debt In Baltimore

Fri, Jun 6, 2019
Adaptistration People 040
There’s a fascinating article in the 6/25/2019 edition of The Baltimore Sun by Mary Carole McCauley that begins to draw lines supporters use to align themselves with one stakeholder or another in the Baltimore Symphony Orchestra’s (BSO) ongoing lockout. Specifically, the article examines the recent spike of annual debt over the last 19 months and
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