Drew McManus on the Orchestra business | est. 2003

Labor Relations

All About Emmanuelle

Fri, May 5, 2011
by Drew McManus
There was definitely no shortage of attention focused on Emmanuelle Boisvert’s decision to leave her position as concertmaster of the Detroit Symphony Orchestra for an associate concertmaster position at the Dallas Symphony. According to a Google News search, the related Associated Press article was picked up by more than 100 outlets in addition to more
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Reading Between The Lines In Detroit

Thu, May 5, 2011
by Drew McManus
Following the news that Detroit Symphony Orchestra concertmaster Emmanuelle Boisvert decided to leave her position for an associate concertmaster position at the Dallas Symphony Orchestra, the Detroit Symphony issues a brief statement from board chair, Stanley Frankel. Frankel’s statement could perhaps best be described as profoundly indifferent…
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Detroit Concertmaster Leaves For Dallas

Wed, May 5, 2011
by Drew McManus
Breaking News: Long time Detroit Symphony Orchestra concertmaster Emmanuelle Boisver announced today that she will be leaving her position for the Dallas Symphony Orchestra where she will serve as associate concertmaster. Her reasons are clearly stated in her full press statement (available below) and her decisions could be construed as a very public vote of
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Accountability: A Referendum On You

Mon, May 5, 2011
by Drew McManus
Last week was a abuzz with Philadelphia Orchestra Association (POA) bankruptcy news at the Philadelphia Inquirer. It published op-ed articles on 5/18/2011 about the POA’s bankruptcy decision from board chair Richard B. Worley and musician spokesperson and cellist John Koen. On 5/19/2011 classical music critic Peter Dobrin posted a commentary piece that cast reservations on
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Looking Back To Move Forward In Philadelphia

Tue, May 5, 2011
by Drew McManus
The 5/8/2011 edition of the Philadelphia Inquirer published an extensive article by Peter Dobrin which takes a very hard look at the Philadelphia Orchestra Association (POA) bankruptcy filing in a much broader sense than we’ve seen elsewhere to date. In particular, issues of accountability are brought to light…
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.