Show Me The Money Monday

Adaptistration People 132

The economic downturn doesn’t appear to be having much impact on nonprofit thieving. Last week the Woodruff Arts Center (WAC), parent organization of the Atlanta Symphony Orchestra (ASO), announced that they paid nearly $1.5 million to a fake company for more than five years and it just so happens that the company was connected to a former employee. In English, that means WAC had an embezzler in their midst for half …

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Chaos Is Good For Business

Grinding The Gears

The month of September, 2012 was Adaptistration’s highest traffic month. I posted a tweet indicating the news over the weekend and it generated a wonderfully wry reply from Detroit Free Press music critic Mark Stryker: “Chaos Is Good For Business.” And the reality is that yes, by and large conflict draws more attention than good news but as I took a closer look at the metrics, I uncovered this fascinating gem:

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Woodruff Wins Concessions In ASO Labor Dispute

In the eleventh hour of an ultimatum from the Atlanta Symphony Orchestra (ASO) and their parent board, Woodruff Arts Center (WAC), insisting that musicians accept a sharply concessionary agreement or face five weeks of canceled events (including a Carnegie Hall appearance), the ASO musicians acquiesced and accepted the full range of terms in their employer’s last, best, and final offer.

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A Voice From Academia Weighs In On Atlanta

On 9/11/2012, Conservatory of Music and Dance at the University of Missouri-Kansas Dean Peter Witte published a letter at his Posterous site that was originally composed to the editorial board of the Atlanta Journal-Constitution. The letter examines his perspective on the current ASO work stoppage and it is a worthwhile read in that Witte is a voice inside academia, an executive administrator, and the son of a current ASO musician.

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