Drew McManus on the Orchestra business | est. 2003

Seattle Symphony

More Under The Heading “Not Everyone Is Cancelling”

Fri, Aug 8, 2020
by Drew McManus
The Seattle Symphony Orchestra (SSO) recently announced plans to begin performing live concerts via streaming platform as a cornerstone of 20/21 activity. If their county government engages Phase 4 of their reopening strategy during the season, they plan on introducing in-person audience live concerts. According to the SSO’s press statement, streamed performances will include guest
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Thinking Outside The Piggy Bank

Tue, Mar 3, 2019
by Drew McManus
Adaptistration People 123
Just a quick post today as I’m still playing catch-up after being away for part of last week. Fortunately, quick doesn’t mean insignificant as the topic I want to toss out is related to pensions. In light of the ongoing Chicago Symphony Orchestra work stoppage that hinges on the orchestra’s pension plan, I wanted to
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Leading By Example In Seattle

Thu, Feb 2, 2017
by Drew McManus
Adaptistration People 120
We’re going to do something out of the ordinary today in that this will be a purely promotional post. Specifically, I want to draw attention to the Seattle Symphony Orchestra’s (SSO) Music Beyond Borders: Voices from the Seven concert that took place on 2/8/2017. The concert is unique and worth special attention for a few
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Broadening The Perspective On Equal Pay For Equal Work

Tue, Jan 1, 2015
by Drew McManus
Adaptistration People 062
When we started examining the topic of equal pay for equal work as applied to substitute orchestra musicians, otherwise known as parity, we compared the parity rate at US and Canadian orchestras in an article from 2/26/2014. At that time, just over two thirds of Canadian symphonic orchestras maintained parity, which was twice the rate
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Hey, Some Good News Without Any Prerequisite Drama

Thu, Sep 9, 2014
by Drew McManus
The 9/15/2014 edition of The Seattle Times published an article by Nicole Brodeur that reports the Seattle Symphony Orchestra (SSO) not only raised $600,000 at its recent gala but also garnered a $10 million gift from Rebecca Benaroya. Yes, the Minnesota Orchestra recently announced a $10 million gift too but Seattle managed to snag theirs
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.