Drew McManus on the Orchestra business | est. 2003

WWFM

COVID-19’s Impact Is Starting To Take Shape

Tue, Mar 3, 2020
by Drew McManus
I had the pleasure of talking to WWFM’s Rachel Katz for her program, A Tempo, about the impact COVID-19 is having across the classical music sector. It’s a particularly interesting segment thanks to Katz interviewing several freelance musicians who have seen all or most of their work dry up. My part of the conversation focused on
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Talking About 2019 With Rachel Katz From A Tempo

Fri, Jan 1, 2020
by Drew McManus
Adaptistration People 143
I had the pleasure of talking to WWFM’s Rachel Katz for her program, A Tempo via a retrospective of 2019. Granted, there was a lot of ground to cover but she did a good job at keeping me in-line and on track with topics that covered labor disputes, diversity, discrimination, and quite a bit more. The
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Talking About Sexual Abuse In The Classical Music World With Rachel Katz

Wed, Dec 12, 2017
by Drew McManus
Adaptistration People 143
I had the pleasure of talking to WWFM’s Rachel Katz for her program, A Tempo about the sensitive topic of sexual abuse and misconduct. Kudos to Katz and WWFM for tackling such a difficult subject. We talk about how nonprofit performing arts organizations should be responding to allegations and helping to make their environments safer
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Talking About The Minnesota Orchestra With WWFM’s Rachel Katz

Thu, Sep 9, 2013
by Drew McManus
WWFM, The Classical Network, broadcast an episode of A Tempo with host Rachel Katz on 9/7/2013 where I had the privilege of talking with Katz about some of the broader issues related to the Minnesota Orchestra Association (MOA) labor dispute such as proposed work rule changes and musician duties and responsibilities along with how all
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.