Apropos to yesterday’s poll about the Minnesota Orchestra Association (MOA), the 5/15/2013 edition of MPR News published an article by Euan Kerr that reports the MOA’s prolonged work stoppage is inflicting hardships on partner institutions within the local Minneapolis performing arts sector.
This shouldn’t come as a surprise to anyone and according to Kerr’s article, the Minnesota Chorale appears to be hard hit by the loss of the MOA’s entire season.
“With no resolution to the impasse between the Minnesota Orchestra and its musicians, we have to be able to make the plans that will keep the Minnesota Chorale a viable and vital organization,” [Minnesota Chorale Executive director Bob] Peskin said today.
The entire state of affairs brings to mind a bit from an old Simpsons episode where Bart’s antics have become so destructive that he is pulling down others with him.
The article also reports that both sides in the MOA dispute remain firmly separated as the latest round of potential bargaining sessions have been scrapped.
The musicians blame the MOA leadership for failing to provide requested information and the MOA blames the musicians for requesting information they don’t believe is necessary to conduct negotiations.
The self fulfilling prophecy continues unabated. It reminds me of another pop culture reference, this one coming in the form of a quote from an episode of Star Trek: The Next Generation: “When a man is convinced he’s going to die tomorrow, he’ll probably find a way to make it happen.”
One item we missed last week was an article about growing tensions in the Philadelphia Orchestra Association (POA) collective bargaining negotiations. Written by Peter…
2 thoughts on “Is There An Unmistakable “Cone Of Ignorance” In Minnesota?”
I love the Simpsons’ clip!
That being said, I hope and pray folks won’t think the Minnesota Chorale is ignorant – we’ve just been sucked into a terrible situation due to our proximity to it. (Disclosure: I serve as the Chorale’s board president.)
Although we serve as the Minnesota Orchestra’s principal symphonic chorus, we’re a completely independent non-profit artistic entity. This is our 40th anniversary season, and we’ve never had a better year for individual fundraising and grants – it’s been nothing short of amazing. Our friends and fans have shown us how deeply they value the beauty we share.
But the lockout caused us to lose nearly all our projected earned income for this fiscal year. The orchestra is showing no indication that they’re coming back anytime soon, which means we have to take the terrible step of cutting staff hours and pay. After a year of scrimping and saving, heroic fundraising and superhuman efforts on the part of our staff, singers, and board, there’s simply nothing left to cut.
We’re determined to keep on singing, no matter what – even if the orchestra doesn’t come back. We’ll find a way. Our community deserves nothing less.
Gut feeling: The MN Orchestra as we knew it is already gone forever.
Beyond that, I’ve thought through many ways it might play out, and can’t see _any_ path back to a living, thriving, outstanding MNO that don’t involve Campbell and Henson exiting the organization. There’s simply too much community resentment against them. Right or wrong, their presence at this point is toxic. If their egos allow it, they should step aside for the good of the orchestra.
I agree with the “new faces” comment in the MPR piece: the musicians may also need to put different negotiators at the table just so that it’s not the same people who are stuck in siege mode.
Binding arbitration seemed like a pretty sensible idea. I can’t imagine it would have cost either side more than what they’ve already lost in this fiasco.
I love the Simpsons’ clip!
That being said, I hope and pray folks won’t think the Minnesota Chorale is ignorant – we’ve just been sucked into a terrible situation due to our proximity to it. (Disclosure: I serve as the Chorale’s board president.)
Although we serve as the Minnesota Orchestra’s principal symphonic chorus, we’re a completely independent non-profit artistic entity. This is our 40th anniversary season, and we’ve never had a better year for individual fundraising and grants – it’s been nothing short of amazing. Our friends and fans have shown us how deeply they value the beauty we share.
But the lockout caused us to lose nearly all our projected earned income for this fiscal year. The orchestra is showing no indication that they’re coming back anytime soon, which means we have to take the terrible step of cutting staff hours and pay. After a year of scrimping and saving, heroic fundraising and superhuman efforts on the part of our staff, singers, and board, there’s simply nothing left to cut.
We’re determined to keep on singing, no matter what – even if the orchestra doesn’t come back. We’ll find a way. Our community deserves nothing less.
Gut feeling: The MN Orchestra as we knew it is already gone forever.
Beyond that, I’ve thought through many ways it might play out, and can’t see _any_ path back to a living, thriving, outstanding MNO that don’t involve Campbell and Henson exiting the organization. There’s simply too much community resentment against them. Right or wrong, their presence at this point is toxic. If their egos allow it, they should step aside for the good of the orchestra.
I agree with the “new faces” comment in the MPR piece: the musicians may also need to put different negotiators at the table just so that it’s not the same people who are stuck in siege mode.
Binding arbitration seemed like a pretty sensible idea. I can’t imagine it would have cost either side more than what they’ve already lost in this fiasco.