The Met Has A Tentative Deal, What Happens Next?

Although it took all parties working through the night, it appears that the Metropolitan Opera (Met) and two of its three largest unions, American Guild of Musical Artists (AGMA) and American Federation of Musicians (AFM), managed to reach a tentative four year agreement around 6:15am ET on 8/18/14. Although details have yet to emerge, internal sources indicate that the deal was reached thanks to the Met abandoning its zero sum bargaining parameters and the artist unions agreeing to concessions.

On the most basic level, wages, instrumentalists and singers will take a seven percent cut by the end of the first year, no increases during years two and three, with a three percent increase in the final year. Although details have yet to be confirmed, early reports indicate that the proposed changes to benefits and work rules did not materialize in the final version of the agreement.

On the other side of the balance sheet, the Met must cut $11.25 million from non-union labor related production expenses, however, it is unclear if this is an annual figure or cumulative over the course of the four year agreement. Likewise, there is no word on whether this agreement will meet the board’s threshold for initiating a much needed capitalization campaign, something General Manager Peter Gelb said would not transpire unless the union employees accepted their initial proposals.

question markThe next step in the process includes the AGMA and AFM negotiation committees presenting their respective proposals to their colleagues for review, discussion, and ratification. The timeline for those respective processes is determined by each association’s bylaws but generally, it can take anywhere from 24-72 hours.

Another unknown element is if one or both negotiation committees plan to recommend that their colleagues ratify the agreement. Traditionally, if a committee recommends against ratification or offers no official recommendation, it isn’t unusual for the rank and file to vote down the offer.

Once the dust settles, it will be interesting to discover if any of the agreement contains any to-be-determined items. Currently, the collective bargaining agreement between the Met and its artist unions is a bit unusual in that it is a patch-work of side letters and unresolved language. Although this is far from an ideal structure, it does allow an institution to continue operations; think of it like a temporary spare tire, it can keep you moving but isn’t designed for long term use.

For now, unless some info is leaked or both sides agree to release a fact sheet with an overview of salient terms, you can expect details won’t be released for no less than several days.

About Drew McManus

"I hear that every time you show up to work with an orchestra, people get fired." Those were the first words out of an executive's mouth after her board chair introduced us. That executive is now a dear colleague and friend but the day that consulting contract began with her orchestra, she was convinced I was a hatchet-man brought in by the board to clean house.

I understand where the trepidation comes from as a great deal of my consulting and technology provider work for arts organizations involves due diligence, separating fact from fiction, interpreting spin, as well as performance review and oversight. So yes, sometimes that work results in one or two individuals "aggressively embracing career change" but far more often than not, it reinforces and clarifies exactly what works and why.

In short, it doesn't matter if you know where all the bodies are buried if you can't keep your own clients out of the ground, and I'm fortunate enough to say that for more than 15 years, I've done exactly that for groups of all budget size from Qatar to Kathmandu.

For fun, I write a daily blog about the orchestra business, provide a platform for arts insiders to speak their mind, keep track of what people in this business get paid, help write a satirical cartoon about orchestra life, hack the arts, and love a good coffee drink.

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4 thoughts on “The Met Has A Tentative Deal, What Happens Next?

  1. All may not yet be resolved in Operaland. As I understand it, there is another heavy shoe left to drop: negotiations with the powerful Local 1 of the stagehands union.

  2. Good article. Thanks for the definition of issues. It is somehow validating to think that all the mistakes made by management during the MO lockout may have helped keep another fine organization from going over that cliff. 🙂

  3. That’s correct although I don’t suspect it will be difficult to resolve. They have already proposed an offer with wage concessions that were only four percent away from what the Met ultimately accepted via AGMA/AFM; as such, it would be surprising to see that negotiation derail the season.

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