Drew McManus on the Orchestra business | est. 2003

You Underestimate The Power Of Dark Meat

Thu, Nov 11, 2017
by Drew McManus
Happy Thanksgiving From Adaptistration
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Implementing Water Management On A Flood Zone Armed With Nothing More Than A Spork

Wed, Nov 11, 2017
by Drew McManus
Spork This
“Damn it.” This was the thought that crossed my mind at the end of a very long day after realizing I still had to write a blurb for a group post at ArtsHacker about what I’m grateful for as an arts manager. And yes, the group post was my idea in the first place so
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In The Game Of Executive Musical Chairs, Philly Can’t Find Someone To Sit Down

Tue, Nov 11, 2017
by Drew McManus
Adaptistration People 075
At a time when both the LA Philharmonic and the Dallas Symphony Orchestra announced new CEOs within the span of one day, the Philadelphia Orchestra continues to be vexed by finding someone to fill their top executive gig. On the other side of that coin, Philly may have pulled out the chair for one or
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Here’s Something Positive Men Can Do To Change The #MeToo Culture

Mon, Nov 11, 2017
by Drew McManus
Adaptistration People 161
Fair warning: today’s post is strictly commentary. Among the numerous reasons #MeToo stories exist, is a profound lack of empathy. We can all listen to these stories but putting yourself in someone’s position to understand and share their feelings requires some work. A key component of empathy is seeing others as equals and if you’re
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The Oregon Bach Festival’s PR Crisis Just Got Weird

Fri, Nov 11, 2017
by Drew McManus
Adaptistration People 023
Just when you thought things were settling into the “quietly fade away” phase, the Oregon Bach Festival’s (OBF) public relations crisis flared right back up. The latest outbreak surrounds a document obtained as part of a public records request from Eugene Weekly. The 11/14/2017 edition of the Eugene Weekly published an article by Bob Keefer
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.