Drew McManus on the Orchestra business | est. 2003

If You Missed The Everything Tech Providers Wished You Knew About Writing A Website RFP Conference Session At NTEN, You’re In Luck…

Fri, Jun 6, 2018
by Drew McManus
Adaptistration People 063
Wouldn’t it be nice to have enough confidence to know if the proposal you get from tech providers is a meaningful bid or just a bunch of techy BS? It just so happens that I presented a session at the 2018 NTEN conference on that very topic back in April. If you wanted to attend
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#TBT Straightjackets Of Our Own Design

Thu, Jun 6, 2018
by Drew McManus
Adaptistration People 149
It never ceases to amaze me how often missed opportunities are a feature, not a bug. Here’s an example: Tuesday’s post about influencer marketing generated a user email that asked a great question. As a musician I share Holly’s aversion to comps, though, I use them when available. The ‘influencer’ model seems well-suited to the
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Making The Case For Playback Bars During Live Performances

Wed, Jun 6, 2018
by Drew McManus
Last week while having dinner with a friend and colleague, we started talking about the new listener concert experience. My friend, a music director, mentioned that one of the most disheartening aspects from his perspective is when he sees patrons leave a longer work toward the end, right before the payoff when everything comes together
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You Mean You Haven’t Pivoted From Comps To Influencer Marketing Yet?

Tue, Jun 6, 2018
by Drew McManus
Adaptistration People 124
If you have any interest in driving down comps while filling up full price seats, there are two articles you simply must read. The first is from violinist Holly Mulcahy* in a Neo Classical post from 6/15/2018 where she talks about the vast untapped potential influencer marketing can have on improving meaningful audience development activities.
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Have You Considered On-Site Professional Development?

Mon, Jun 6, 2018
by Drew McManus
Adaptistration People 062
I’m off to Palm Beach, FL for three days of on-site client work at The Society of the Four Arts and Morikami Museum and Japanese Gardens. While I love the benefits reliable teleconferencing deliver vis-a-vis improving direct client support and reducing the necessity for on-site work, there’s always something special about being able to work alongside
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.