Drew McManus on the Orchestra business | est. 2003

Commentary

You Didn’t Think This Curtis Thing Was Going To Blow Over, Did You?

Mon, Nov 11, 2019
Adaptistration People 182
In the latest chapter of what comes across as a book on how not to go about crisis management, the Curtis Institute continues to dig up in response to allegations of sexual abuse and impropriety. At the end of July, 2019, the Philadelphia Inquirer published an investigative article by Tricia L. Nadolny and Peter Dobrin that reports

I’ll Try, But I Don’t Think My Phone Will Fit In There

Thu, Oct 10, 2019
Adaptistration People 196
At the beginning of the month I wrote about the Anne-Sophie Mutter mobile phone kerfuffle and staked out a decidedly matter-of-fact perspective. Fortunately, there are others out there looking to approach the topic from more of a productive outlook. Case in point, violinist Holly Mulcahy gathered 10 such minds to provide positive thoughts, productive and

The Culture Of Fostering Diversity And New Works

Tue, Oct 10, 2019
Adaptistration People 065
In most instances, it’s fascinating to compare trends and/or metrics from one nonprofit performing arts sector to another. To that end, there’s a great article by Marshall Botvinick at HowlRound.com (h/t Thomas Cott) that uses data from a recent study to show the majority of new plays at larger US regional theaters are written by

Meaningful Discussions About Compensation Aren’t As Difficult As You Might Think

Mon, Oct 10, 2019
Adaptistration People 163
I was listening to a classical music podcast over the weekend and the host, a professional musician, was interviewing an orchestra CEO. At one point in the conversation, they started talking about manager vs. musician compensation. What ensued was the normal gnashing of teeth over it being difficult conversation (spoiler: it isn’t) and all the

Okay, Okay; I’ll Write About The Anne-Sophie Mutter Thing

Wed, Oct 10, 2019
Adaptistration People 164
In the wake of all the messages from colleagues and readers asking when I’m writing about Anne-Sophie Mutter’s mexican standoff with a patron during a recent performance of Beethoven’s Violin Concerto with the Cincinnati Symphony, it looks like there’s no avoiding the topic. Spoiler alert: I’m not thrilled with the way she handled the situation.
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