One of the issues this blog is devoted to is the ongoing discussions and examination of orchestra management philosophy. Even the seemingly innocent of attitudes and beliefs held by an orchestra’s executive management arguably shape organization’s future.
CALLING ALL CARTOONISTS
I’m looking for a cartoonist somewhere out there who is interested in doing an ongoing project here at Adaptistration. My artistic ability is on par with Harvey Pekar (limited to crude stick figures) so looking for talent elsewhere is the only available option. Requirements Artistic ability and enjoy drawing cartoons, B/W and color You can be a hobbyist, amateur, or professional Knowledge of orchestral concert halls and orchestral instruments a must …
What Evil Lurks In The Hearts Of Oboists…
I had to laugh out loud today at a comment I read in Patricia Mitchell’s blog, obeinsight. She recounts a story about when a patron once asked her what goes through her mind when she plays, this was her answer: “I wanted to tell her I was trying to decide if I would have my typical bowl of Cheerios when I got home, or if I felt more like a beer.” …
The Atmosphere Of Advertisements
I can’t count the times I’ve had discussions with folks in the business about the environment of concert halls; it’s cold, sterile, non inclusive, etc. Everyone seems to realize that things needs to change on one level or another but there’s so much that’s entrenched in every nook and cranny it’s hard to see where all of the root problems reside. But here’s a good example brought to my attention by …
An Inside Look At The SLSO Mediated Negotiations
Update: In the spirit of equal-time, the St. Louis Symphony management have been offered multiple opportunities to express their interpretations of the recent mediated negations, to expand on their positions, and to respond to statements made by the SLSO musician’s representative. As of 2/23/05 they have respectfully declined that opportunity although the offer continues to remain open.
The mediated negotiations in St. Louis last week had high hopes for producing an agreement among patrons and supporters of the St. Louis Symphony Orchestra. It was the first time representatives from the SLSO management and the musicians’ negotiation committee sat down at a bargaining table to talk in nearly six weeks.