I had a fascinating lunch time conversation yesterday with a manager in my area and we were talking about the usefulness of approaching marketing from the view of a behavioral psychologist. The conversation brought my memory to an article I wrote back in February, 2004 entitled We All Need To Go See A Psychologist…
I haven’t changed my opinions about this issue since that time; if anything, I feel even stronger about how desperately necessary it is for the business to walk down this path. When the original article was published in 2004, I received several email messages from managers as well as a few players and patrons. Although a few were very supportive of the idea, the majority were quite negative.
Nevertheless, quite a bit can chance in two years so take a moment and give the original article a read and weigh in with your opinion. I’m curious to know what managers, players, and musicians think about the idea now.
There’s an intriguing article from the 6/29/17 edition of Classicalfm.com that examine a recent Canadian Broadcasting Corporation interview with violinist Nicola Benedetti where the…
2 thoughts on “We Still Need To See A Psychologist”
I could not agree more. People who have been around the classical repertoire (and classical orchestra protocols) are, indeed, ill-fit to market it to “outsiders” – how could they possibly know how to attract them? They cannot see inside their heads – their entire life experiences are different!
Similarly, those “classical music outsiders” cannot market concerts for themselves ; while the average person might be able to point out positive or negative aspects of the classical music experience, he/she can’t explain their choices (Q : “yes but why does the no-applause-between-movements rule bother you?” A : “I dunno, it just bothers me”). I mean, how can one fix a problem if one does not know how it happened in the first place? Definitely, psychology is a wonderful idea.
Just to let you know that I have posted some comments on my site regarding the debate re clapping and also the skills of a psychologist in promoting music.
I could not agree more. People who have been around the classical repertoire (and classical orchestra protocols) are, indeed, ill-fit to market it to “outsiders” – how could they possibly know how to attract them? They cannot see inside their heads – their entire life experiences are different!
Similarly, those “classical music outsiders” cannot market concerts for themselves ; while the average person might be able to point out positive or negative aspects of the classical music experience, he/she can’t explain their choices (Q : “yes but why does the no-applause-between-movements rule bother you?” A : “I dunno, it just bothers me”). I mean, how can one fix a problem if one does not know how it happened in the first place? Definitely, psychology is a wonderful idea.
Just to let you know that I have posted some comments on my site regarding the debate re clapping and also the skills of a psychologist in promoting music.