Drew McManus on the Orchestra business | est. 2003

A Tale Of Twin Cities

Wed, Jun 6, 2010
by Drew McManus
I don’t know if it is anything more than a coincidence but two stories came out in Minneapolis media outlets that couldn’t do a better job at pointing out opposite ends of the fortune pole. One reported on an 11.3 percent pay cut for St. Paul Chamber Orchestra (SPCO) musicians while the other reported on
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“Faulty Reasoning”

Tue, Jun 6, 2010
by Drew McManus
The 6/12/2010 edition of the Wall Street Journal published an article entitled “The Zero Option; Do regional orchestras still make artistic sense?” by renowned culture journalist Terry Teachout. I was planning on writing something about it but instead, I decided it would be better to reprint one of the reader comments to Teachout’s article…
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How NOT To Use New Media

Mon, Jun 6, 2010
by Drew McManus
If you’re looking for a good example of how to use a new media platform in the worst possible way, American Federation of Musicians (AFM) International President Thomas F. Lee provides the best example I’ve come across to date with a series of videos the AFM released on YouTube. Everything in this video from the
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2010 Compensation Reports: Concertmasters

Fri, Jun 6, 2010
by Drew McManus
The 2007/08 season was an odd year for concertmaster compensation. Although one individual shattered previous all time high records, it was due in most part to undisclosed terms related to contract buyout. At the same time, the second highest paid concertmaster still beat last year’s high by a few thousand dollars. Overall, the average concertmaster
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2010 Compensation Reports: ROPA Music Directors

Thu, Jun 6, 2010
by Drew McManus
The 2007/08 season was an up and down year for average ROPA music directors. On one hand, average compensation only increased by 1.02 percent, less than musician stakeholders, but the real average moved that to a level twice as high as musician stakeholders…
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.