For the average music director, the 2010/11 season was a good year financially. Experiencing an average increase of 12.02 percent in compensation, conductors gained more than either executives or concertmasters; in fact, the average music director compensation reached an all time high of $480,037. Worth noting is the 2010/11 high earner, San Francisco Symphony’s music director Michael Tilson Thomas, experienced a staggering 33 percent increase in his compensation; although that still lags behind the heavy weight champion earner, Lorin Maazel who earned higher fees for each of his years with the New York Philharmonic from the 2004/05 season forward.
In order to provide information that is as accurate as possible, data from the 2010/11 season is gathered from the following sources:
- Music Director compensation figures were obtained from their respective orchestra’s IRS Form 990 for the 2010/11 concert season.
- Total Expenditures were also obtained from each respective orchestra’s IRS Form 990 for the 2010/11 concert season (due to their relationship within a larger performing arts structure, Total Expenditure figures for National Symphony and Atlanta Symphony are unavailable).
Adaptistration makes no claim to the accuracy of information from documents compiled or reported by external sources. If you have reason to believe any of the information is inaccurate or has changed since reported in any of the above sources and you can provide documentation to such effect, please feel free to submit a notice.
What The Data Doesn’t Show
It is important to remember that the numbers shown do not always convey a complete compensation picture. For example, a music director may have had a large increase in salary because they were leaving a position and per terms of their contract they may have received a sizeable severance or deferred compensation package. As such, the cumulative compensation may artificially inflate annual earnings. Furthermore, these figures may not reflect bonuses or other incentive payments, therefore underreporting what conductors may actually earn.
Also missing from the figures are expense accounts, lodging expenses, and other perks; as such, the cumulative compensation for music directors may or may not be more than what is listed. Additionally, the documents used to gather data do not indicate how much of the season an individual received a salary. As such, excessive adjustments in the percentage change from the previous season’s compensation may be artificially adjusted. Although the music director compensation figures include the combined amounts reported as what the IRS classifies as “compensation” and “contributions to employee benefit plans & deferred compensation,” each orchestra does not always report figures for the latter category.
How Terms Impact Compensation
Unlike executives, concertmasters, and musicians, music directors are sometimes employed as private contractors. In these cases, orchestras will list the music director among the five highest paid private contractors as opposed to sections devoted to employee compensation. In most of these instances, no information about benefits or deferred compensation is available.
Likewise, some music directors receive separate payments for duties associated with their position. For example, for several fiscal years the Seattle Symphony Orchestra paid Gerard Schwarz via two separate private contractor listings: once for music director duties and the other for principal conducting duties. At the Chicago Symphony Orchestra, when Daniel Barenboim was with the organization, he was often paid separately for services music director and then again as conductor and soloist.
In instances such as these, those figures have been combined into a single figure in the table below. For details about each individual conductor’s compensation, please consult the orchestra’s respective IRS Form 990.
2010/11 Season Music Director Compensation
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- San Francisco Symphony: $2,412,662
- New York Philharmonic: $1,562,417
- Philadelphia Orchestra: $1,468,814
- Boston Symphony: $1,207,300
- Minnesota Orchestra: $1,078,350
- Dallas Symphony: $1,025,692
- Los Angeles Philharmonic: $985,363
- Saint Louis Symphony: $959,337
- Cleveland Orchestra: $958,597
- Seattle Symphony: $746,028
4 thoughts on “2013 Compensation Reports: Music Directors”
I wanted to ask if you could elaborate on the figure for Baltimore. I looked at their 990 about a year ago and seem to remember the compensation being much, much lower (more like $120K).
I don’t believe it was ever anywhere near that low of a figure. I don’t recall the exact season, but Baltimore is one group that began splitting the cumulative music director compensation into more than one payment so perhaps you only ran across one of those entries?