In what feels like a roller coaster that simply won’t end, the San Antonio Symphony (SAS) recently announced a new round of cuts via a reopener to its existing two-year collective bargaining agreement (CBA), which covers the 2015/16 and 2016/17 seasons.
The only potential silver lining in the cuts is instead of making the reductions permanent by reducing base wages, benefits, or season length, stakeholders agreed to opt for a temporary forced three-week unpaid furlough for the 2016-17 season.
Although exact details have yet to be released, an article by David Hendricks in the 3/26/2016 edition of the San Antonio Express-News reports that the cut amounts to approximately 10 percent reduction in annual pay.
The SAS’ cycle of up and down financials have a long history but a string of executive leaders has yet to produce an environment of economic and labor stability.
Here’s an overview of the orchestra’s base musician wage and season length (in weeks) that covers the 2001/02 season through the newly revised 2016/17 furlough week season (note: the 2003/04 season is excluded due to an extended work stoppage).
Both stakeholders played down the news although the Express-News article reports that musician cuts were paired with shared sacrifice among senior executives and the music director, who agreed to a 10 percent reduction in their 2016/17 annual salaries.
Although the Express-News article reports the cuts are a direct byproduct of donor pressure to arrive at a zero debt balance by the end of the 2016/17 season, it is important to remember that season marks the end of the existing CBA. Consequently, this means stakeholders will begin negotiating a replacement agreement as early as September 2016.
Whether or not the SAS’ decision to acquiesce to zero-debt pressures will impact those bargaining sessions is something we’ll almost certainly be examining at this time next year. Stay tuned.
1 thought on “New Cuts Equal Dark Weeks At The San Antonio Symphony”
Despite the 2014 reopening of the Tobin Center to acclaim, San Antonio can’t seem to make up its mind about having an established orchestra. The orchestra’s ups & downs extend well into the past 30 or 40 years.