Reader Survey Results: Millennials Continue To Dominate

THE MILLENNIAL MIND

The 2015 Reader Segmentation Survey results are in and just like the prior year, Millennial readers continue to comprise the largest readership segment. Having said that, they did lose a sliver of ground to Gen X and Baby Boomer readers. We’ll examine the full results soon but today’s post is going to dive into results from the 25-34 age group and highlight any changes from the previous year. Readership Share & …

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When It Comes To Event Liability Insurance, Forewarned Is Forearmed

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One of the most common questions I get from cultural entrepreneurs looking to start up a chamber group or related artistic effort is why they need event liability insurance (assuming they know about event liability insurance to begin with). “Doesn’t the venue cover that?” They can, but most require renters to provide proof of insurance, but the good news here is obtaining event insurance isn’t as daunting a task as it …

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PSA Tuesday: Don’t Forget To Check Your Copyright Date

Adaptistration Guy Copyright

It must have been a leap year thing but regardless the reason, I ran across more than a dozen arts org websites yesterday all with copyright notice dates that were 2015 or older. It took me off guard at first as this function is usually addressed by automatically changing the year based on the host server timestamp. Having said that, it is certainly something that can be manually entered as text …

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All Sorts Of #TestFail Going On For The “How Much Do You Know About Musicians” Quiz

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Last week, I published a fun little quiz to see how much readers really knew about musician wages, benefits, and working conditions. On the positive side of things, participation was fantastic thanks to nearly 500 readers completing all twelve questions. On the other side of that coin were the results: readers either aced it or bought the farm with absolutely nothing between those extreme grades. [chart id=”8″] As one reader justifiably …

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How Would You Describe Your Venue Relationship?

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When it comes to a primary venue, most orchestras operate in one of three environments, each with their own unique sets of pros and cons: Owner/Operator: Pros include complete control over scheduling and programming, in-house administrative offices, and maximizing earned income from rental fees, box-office services, concessions, etc. Cons include the large costs related with initial building costs along with legacy operational and maintenance costs for operating a brick and mortar …

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