Off To Chattanooga
Wed, Mar 3, 2017
by Drew McManus
I’m en route to Chattanooga today to attend a concert on Thursday, 3/2/2017 of my wife, violinist Holly Mulcahy, performing Jim Stephenson’s Tributes violin concerto with the Chattanooga Symphony. It’s a fabulous work that was premiered in 2012 by Jennifer Frautschi with the Minnesota Orchestra. This will be the concerto’s second performance and Holly gave an
Happy Anniversary Butts In The Seats!
Tue, Feb 2, 2017
by Drew McManus
Congratulations to Joe Patti’s Butts In The Seats; Musings on Practical Solutions For Arts Management which is celebrating its 13th anniversary! I completely missed posting something on the actual anniversary date last week but I would be remiss not to mention it now as it remains as one of the most meaningful culture blogs available.
The Concert Experience Is Once Again A Hot Topic (and that’s a good thing)
Mon, Feb 2, 2017
by Drew McManus
The 2/21/2017 edition of the Wall Street Journal published an article by Terry Teachout (subscriber only) that examines some recent work by the California Symphony into attracting millennials. Specifically, the article touches on the orchestra’s efforts to identify reasons why new ticket buyers are discouraged from returning and, spoiler alert, they are mostly non-artistic. If
Keeping Tabs On Your Internet Speed
Fri, Feb 2, 2017
by Drew McManus
Budgets are tight enough already, the last thing anyone wants to do is pay for something a provider isn’t delivering. To that end, something every office has is an internet connection but it never surprises me to see how few actually test their connection speeds to confirm they are getting what they pay for. Granted,
Culture Wars 2.0
Thu, Feb 2, 2017
by Drew McManus
It’s becoming increasingly difficult to ignore rising pressure from government sources against arts and culture. The most noticeable example is the Trump administration’s attempt to disband the National Endowment for the Arts (NEA) and National Endowment for the Humanities (NEH), but there are more machinations afoot indicating increased interest in suppressing art and culture, especially
