Holly Mulcahy published an article recently that questions whether standard audition repertoire aligns with contemporary strategic visions.
“…how sincere is it to say your orchestra actively promotes outreach and diversity, new music, and gender equality when your orchestra lists only dead white male composers on the audition repertoire requirements?”
The subject of orchestra musician auditions is a sure fire topic for attention. Regardless if you’re a musician, administrator, board member, or audience member you can rest assured there are no shortages of opinions.
To that end, today’s #TBT post calls back to some of the more popular posts about auditions over the years:
And be sure to check out Mulcahy’s article at NeoClassical: