Drew McManus on the Orchestra business | est. 2003

A Free Resource For Professionals Getting Started With Google Analytics

Mon, Mar 3, 2018
Analytics
I’ve just returned from presenting alongside Ceci Dadisman, at the Southeastern Theatre Conference 2018 Convention on how to use Google Analytics (GA) to make data-driven improvements to website content and layouts. The session was a hit and since it was geared toward professionals just getting into GA, content focused on using out-of-the-box GA features and straightforward settings

Buckling My Seatbelt #SETC2018 #ClickClickDone

Fri, Mar 3, 2018
Adaptistration People 168
I’m in Mobile, AL today attending the Southeastern Theatre Conference’s (SETC) 69th Annual Convention. I’m thrilled to run a session on Google Analytics alongside longtime colleague and conference session colleague, Ceci Dadisman. Session Details DATE: Friday, March 9 TIME: 10:30am ET – 11:45am ET If you’re attending the convention please be in touch to say

#TBT Big Budget Base Musician Compensation

Thu, Mar 3, 2018
Adaptistration People 033
Now that the New York Philharmonic announced that they reached a new three-year agreement with musicians, it’s time to see how that impacts their standing among peer ensembles. I’m still waiting on the confirmed base salary figures but thanks to an article by Michael Cooper in the 3/2/2018 edition of the New York Times, we

Atlanta’s Latest Step In The Slow Burn Process Of Recapturing Lost Ground

Wed, Mar 3, 2018
Adaptistration People 034
The 3/5/2018 edition of the Atlanta Journal-Constitution published an article by Bo Emerson that reports the Atlanta Symphony Orchestra (ASO) and its musicians recently ratified a new collective bargaining agreement (CBA) through the 2020/21 season. While a copy of the CBA has yet to be released, the AJC article reports the organization will return to

What The Oscars, Contracts, And The Orchestra Field Have In Common

Tue, Mar 3, 2018
Adaptistration People 125
Two items that came out of last Sunday’s Academy Awards caught my attention in how they intersect with the orchestra field: equal pay for equal work and inclusion riders. Equal Pay and Equal Representation The pay discrepancy between Mark Wahlberg and Michelle Williams for reshoots on the film “All the Money in the World” made headlines
Previous Next