Drew McManus on the Orchestra business | est. 2003

Drew McManus

Is That The Smell Of Disaster Blowing In The Wind?

Wed, Apr 4, 2017
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According to the site’s metrics, there’s been a sharp uptick in the number of incoming visitors arriving via the search query “difference between strike and lockout.” Historically, cross tabulating search queries with landing pages is a good way to help verify industry scuttlebutt. For example, if I’ve been hearing about labor unrest at a particular

Poll: How Important Is Diversity To Programming

Tue, Apr 4, 2017
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Yesterday’s post examining the ratio of programming between living/deceased, male/female, and ethnicity for the 2017/18 season has generated a good deal of discussion throughout social media. Consequently, I’m curious to know what readers think when it comes to diversity in programming. In order to help keep things straightforward, please consider the questions within the context

How Many Dead White Guys Does It Take To Program A Season?

Mon, Apr 4, 2017
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Hot off the heels of his Women Composer Database Project, composer and arts administrator Rob Deemer has been pouring through much of the recently released programming data for the 2017/18 season to see how often US orchestras are programming works from composers who aren’t dead, white, or male. I have been concerned for years about

Time To Adjudicate Some Content

Fri, Mar 3, 2017
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A few weeks ago, I pointed out a content competition the Association of Arts Administration Educators (AAAE) was holding for arts administration researchers, instructors, and practitioners. Now that the submission deadline has passed, I’m happy to be able to say I’ll be participating as one of the competition’s three adjudicators. AAAE’s Official Judges’ Panel  

Virtues And Vice Of Executives From “Other” Fields

Thu, Mar 3, 2017
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Joe Goetz published an intriguing piece at Scanning The Dial on 3/29/2017 that examines a bit of a dust-up over the recent WQXR General Manager appointment, an administrator who was most recently a MTV content executive. You can probably see the disconnect; for some, an executive from the commercial entertainment field running a public radio
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