Drew McManus
The Curious Case Of Currier’s Claim
Thu, May 5, 2013
by Drew McManus
There’s a terrific article by Brian Wise in the 5/20/2013 edition of WQXR.org that reports on the latest wrinkle in an ongoing lawsuit between composer Nathan Currier and the Brooklyn Philharmonic. In 2004, Currier apparently paid the Brooklyn Phil $72,000 to premiere one of his compositions (that’s just under $89k after inflation). During the 4/21/04
Mahler Meets Moneyball? Probably Not.
Wed, May 5, 2013
by Drew McManus
There’s an interesting article by Tom Jacobs in the 5/21/2013 edition of psmag.com which reports on a recent study designed to determine which works have more gravitas when it comes to selling tickets. Overall, it’s a good read but along with the good is some not-so-good that should be more than enough to take everything
An Interesting Turn Of Events In Palm Beach
Tue, May 5, 2013
by Drew McManus
It only took one calendar year, but the Palm Beach Symphony (PBS) may be emerging from a season of “living in interesting times” following the public announcement that executive director Michael Finn is leaving his position. The PBS started making headlines in May, 2012 by making waves over an executive decision to bring in current
What To Make Of The Minnesota Poll Results
Mon, May 5, 2013
by Drew McManus
The response to last week’s Minnesota Orchestra poll was terrific and it is currently one of Adaptistration’s most popular. Designed to measure respondent’s thoughts on the Minnesota Orchestra Association’s (MOA) near future expectations, stakeholder actions, and music director involvement, the results produced some intriguing data. Near Future Expectations Perhaps unsurprisingly, few respondents expected the work
Is There An Unmistakable “Cone Of Ignorance” In Minnesota?
Fri, May 5, 2013
by Drew McManus
Apropos to yesterday’s poll about the Minnesota Orchestra Association (MOA), the 5/15/2013 edition of MPR News published an article by Euan Kerr that reports the MOA’s prolonged work stoppage is inflicting hardships on partner institutions within the local Minneapolis performing arts sector. This shouldn’t come as a surprise to anyone and according to Kerr’s article,
