Drew McManus on the Orchestra business | est. 2003

What Do You Think [Blank] Gets Right?

Tue, Mar 3, 2012
Toward the end of the March, I’ll be publishing a pair of articles in conjunction with a bit of research* I’m doing vis-a-vis a presentation during the upcoming 2012 American Orchestras Summit, hosted by the University of Michigan (Mar. 21-23, 2012). I’ve invited a select cross section of managers, board members, and musicians to answer

Musicians Aren't The Only Stakeholder You Should Worry About

Mon, Mar 3, 2012
Following last week’s news about the Philadelphia Orchestra Association (POA) President and CEO’s contract extension, a good bit of negative feedback has popped up by way of culture blog readers at a number of outlets. Although much of the criticism is focused on the long list of executive perks, deferred payments, bonuses, etc. and the

Musicians Aren’t The Only Stakeholder You Should Worry About

Mon, Mar 3, 2012
Following last week’s news about the Philadelphia Orchestra Association (POA) President and CEO’s contract extension, a good bit of negative feedback has popped up by way of culture blog readers at a number of outlets. Although much of the criticism is focused on the long list of executive perks, deferred payments, bonuses, etc. and the

The "Gruesome Details" Of Philly CEO Renewal

Fri, Mar 3, 2012
On 2/29/2012, the Philadelphia Orchestra Association (POA) issues a two page press statement announcing a multi-year contract renewal for President and CEO Allison Vulgamore. Music critic Norman Lebrecht reports that the deal will require approval from the bankruptcy court then, in turn, refers to an article on the matter by Philadelphia Inquirer music critic Peter

The “Gruesome Details” Of Philly CEO Renewal

Fri, Mar 3, 2012
On 2/29/2012, the Philadelphia Orchestra Association (POA) issues a two page press statement announcing a multi-year contract renewal for President and CEO Allison Vulgamore. Music critic Norman Lebrecht reports that the deal will require approval from the bankruptcy court then, in turn, refers to an article on the matter by Philadelphia Inquirer music critic Peter

There's Buy-In and Then There's Buy-In

Thu, Mar 3, 2012
I had a fascinating conversation with a colleague several weeks ago that focused on the current trend for orchestras in dire financial straits to adopt artistic activities that rely heavily on expanding into new territories. Typical jargon for this sort of behavior is “getting out of the concert hall” or “getting into the community.”

There’s Buy-In and Then There’s Buy-In

Thu, Mar 3, 2012
I had a fascinating conversation with a colleague several weeks ago that focused on the current trend for orchestras in dire financial straits to adopt artistic activities that rely heavily on expanding into new territories. Typical jargon for this sort of behavior is “getting out of the concert hall” or “getting into the community.”

Recent News On Diversity And The Arts

Wed, Feb 2, 2012
Kudos to Joe Patti over at Butts In The Seats for posting a terrific article on 2/27/2012 that examines some recent events in Oregon about changes in state arts funding that would connect funding to diversity levels among an organization’s board and staff (office and artists).

Honesty In Advertising: Seating Charts

Tue, Feb 2, 2012
There’s a terrific blog post from Toronto based artist, blogger, and orchestra patron Rob Elliott (h/t Musical Toronto) who decided to sketch a new seating chart for Roy Thomson Hall, home of the Toronto Symphony Orchestra (TSO), after recently attending a TSO concert.

What The Orchestra Field Can Learn From Playboy and The Financial Times

Mon, Feb 2, 2012
If your organization is considering developing an iPhone/iPad app to be distributed through Apple’s App Store, you might not need it. As apps have grown in popularity over the past few years, more and more business are discovering that the content restrictions and revenue cuts enforced by Apple aren’t worth the hassle; and their experiences
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