Drew McManus on the Orchestra business | est. 2003

San Antonio Symphony

Labor Disputes And Professional Disclosure

Mon, Oct 10, 2021
Several readers have reached out since the end of last week asking when I’ll be writing something about the San Antonio Symphony. All things being equal, I would write something but, in this case, I must point out the Professional Disclosure policy published in the footer that has been in place at Adaptistration for the

Conductor Expiration Dates

Tue, Apr 4, 2019
Adaptistration People 211
Music Directors are like milk in that they both have expiration dates; or, at least, so goes the old joke. Fortunately for conductors, they have a much longer shelf life and statistically speaking, that runs anywhere from 10 to 12 years. That amount of time usually consists of 2-3 contract cycles and provides most music

Substitute Parity At ICSOM Orchestras 2019

Tue, Mar 3, 2019
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In 2014, we took a deep dive into which International Conference of Symphony and Opera Musicians (ICSOM) symphonic orchestras paid substitute musicians the same rate as core musicians and in the wake of a recent conversation with ICSOM chairperson Meredith Snow and ICSOM President Paul Austin, it’s time to update that list. My thanks to

A Rare Retrospective Treat

Mon, Mar 3, 2018
Adaptistration People 133
Labor disputes and institutional crises tend to garner plenty of attention in traditional media outlets as they unfold, but follow-up articles are fewer in number. Most tend to be puff pieces crafted more by an organization’s PR department than a genuine post mortem, but the 3/16/2018 edition of Texas Public Radio (TPR) published an exception

San Antonio Symphony Begins To Triage Their Future

Tue, Jan 1, 2018
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Now that the San Antonio Symphony (SAS) has made it past the darkest hour and are firmly headed toward the dawn, the stakeholders are now free to triage the next wave of challenges. The 1/20/2018 edition of the San Antonio Express-News published an article by Deborah Martin that takes a very detailed look at what
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