Drew McManus on the orchestra business.
At the rate music directors at big budget orchestras are leaving, we might as well begin a betting pool. First Alan Gilbert in New York and now Christoph Eschenbach is leaving his position at the National Symphony Orchestra at the end of the 216/17 season. The official Kennedy Center press release has the relevant details although you can be sure that the speculation circuit is certain to be kicking into gear sooner …
In an age of twitter lingo, texting, and autospell it can become all too easy to let your grammar and punctuation chops get rusty; fortunately, there are a few useful guides you can keep on hand to help your written communication remain sharp. I published a post at ArtsHacker on 2/16/2015 that examines both options; one of which is dedicated to punctuation while the other includes an illustrated series of grammar …
One of the footnotes in yesterday’s article pointed to a reference post from 2004 that chronicled the historic timeline of orchestra musician self-representation. It provides a decade by decade overview beginning with the 1950s through the most recent decade at the time the article was written, the 2000s. Nonetheless, thanks to the not-so-subtle prodding from a long time reader who sent a cryptic text saying “What, are we stuck in The Matrix …
One of the most common tasks in my consulting work with boards and administrators is adjusting preconceived notions about the musicians union. One of the reasons misconceptions are so common is the musicians’ unique level of self-determination and direct representation is in stark contrast to most other labor unions. A Fascinating History Beginning in the 1960s, orchestra musicians sought to displace the existing method for crafting collective bargaining agreements (CBA) by …
Usually, stories that begin with “well, we were drinking…” turn out to have something other than a happy ending but a recent article published by Holly Mulcahy on 2/11/2015 at Neo Classical proves to be an exception to the rule. Mulcahy has been chronicling a series of events leading up to her upcoming performance of Jennifer Higdon’s 2010 Pulitzer-prize winning Violin Concerto on March 12, 2015 with the Chattanooga Symphony & Opera including bringing the piece to …