Drew McManus on the Orchestra business | est. 2003

Examining The Value Of Morals Clauses

Thu, Mar 3, 2016
Adaptistration People 076
A morals clause, a provision in a contract or work agreement that prohibits or penalizes certain behaviors, have been around since the early part of the 20th century but by and large, they haven’t entered into mainstream employment agreements throughout the performing arts field. For the most part, they really aren’t applicable and/or the salaries

Hurry Up And Wait In Fort Worth

Wed, Mar 3, 2016
Adaptistration People 194
Even though the Fort Worth Symphony Orchestra (FWSO) managed to avoid a work stoppage thanks to an eleventh hour one-year agreement, that doesn’t mean it prevented things from continuing to turn ugly. The latest development involves the musicians staging a sit-in at FWSO offices on Thursday, March 24, 2016 to protest what they defined as

What Do You Think Arts Marketers Should Be Talking About?

Tue, Mar 3, 2016
Adaptistration People 193
If you have any interest in helping steer the larger arts marketing conversation, now’s your chance…but you’ll have to hurry. Thursday, March 31, 2016 is your final day to submit either a session proposal or session topic idea to the National Arts Marketing Project’s (NAMP) 2016 conference in Austin, TX from November 11-14. This year’s

New Cuts Equal Dark Weeks At The San Antonio Symphony

Mon, Mar 3, 2016
Adaptistration People 192
In what feels like a roller coaster that simply won’t end, the San Antonio Symphony (SAS) recently announced a new round of cuts via a reopener to its existing two-year collective bargaining agreement (CBA), which covers the 2015/16 and 2016/17 seasons. The only potential silver lining in the cuts is instead of making the reductions

US Congresswoman Denigrates Military Bands And Musicians

Fri, Mar 3, 2016
Adaptistration People 153
Regular readers are already aware that the single largest US employer of full-time professional musicians is the United States Armed Forces. In addition to their critical role inside the US Armed Forces, their contributions to the cultural and artistic fabric of communities they are stationed are practically too large to measure. But that doesn’t seem
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