Drew McManus on the Orchestra business | est. 2003

Time To Lighten Up

Wed, May 5, 2019
by Drew McManus
Adaptistration People 048
After a few days of heavy-duty posts, it’s time to lighten the mood a bit, and what better way than visiting some of the latest tweets from two of my favorite cathartic watering holes. Can we just change the mission statement of the orchestra to: "continuing the tradition of playing white male composers for decades
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A Quick Follow-Up On The Chicago Symphony Settlement And Substitute Parity

Tue, Apr 4, 2019
by Drew McManus
Adaptistration People 120
One item that remains unclear in the new Chicago Symphony Orchestra agreement is whether the new fiver-year contract modified any of the terms related to substitute musician compensation. I’ve been communicating with both the Chicago Symphony Orchestra Association (CSOA) and the musicians and so far, have received mildly differing accounts. According to CSOA Communications and Public
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Here Are The Chicago Symphony Settlement Details You’re Looking For

Mon, Apr 4, 2019
by Drew McManus
Adaptistration People 138
On Saturday, 4/27/2019 the board of the Chicago Symphony Orchestra Association (CSOA) and the CSO musicians ratified a new five-year collective bargaining agreement (CBA). The deal was reached shortly after outgoing Chicago Mayor Rahm Emanuel became directly involved. Let’s take a close look at the new terms to see what each stakeholder managed to secure.
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Give ‘Em What They Really Want: How To Create An Effective Artist Press Kit

Fri, Apr 4, 2019
by Drew McManus
Recently, my company updated my wife’s professional artist website: HollyMulcahy.com. A large part of that project was updating all her press kit information. Previously, all the typical press kit content, such as bios and pics, was available via direct download from her site. But times have changed and there are better ways to go about
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Off To Chattanooga For The Rose Of Sonora World Premiere

Thu, Apr 4, 2019
by Drew McManus
I’m in Chattanooga today for the world premiere of The Rose of Sonora, a violin concerto in five scenes. Written by composer George S. Clinton, I published an in-depth profile of the work back in March about how he and the concerto’s soloist, Holly Mulcahy, brought the concerto to life. If you’re in the Chattanooga
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Adaptistration by Drew McManus LLC is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International.
Permissions beyond the scope of this license may be available at https://adaptistration.com/about/terms-of-use-and-permissions/.

PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.