Drew McManus on the Orchestra business | est. 2003

Drew McManus

How Strong Is Your Content Game?

Wed, Mar 3, 2017
Adaptistration People 159
The Association of Arts Administration Educators (AAAE) is holding a content competition open to arts administration researchers, instructors, and practitioners. They’re looking for content that exemplifies, expounds upon, or aligns with The Wallace Foundation’s Nine Effective Practices of Audience Building. One winner will receive an $800 cash prize and one complimentary registration to their 2017

Tax (Prep) Day

Tue, Mar 3, 2017
Adaptistration People 138
After spending the last few days compiling all of my records to send off to the accountant, it seems fitting to focus today’s post on some finance related resources. All of these links point to finance-focused posts written by Joe Patti and available at ArtsHacker.com: Understanding Non-Profit Financial Statements How Financial Statements Are Born Deeper

Creative CTAs: Can’t Someone Else Do It?

Mon, Mar 3, 2017
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Ceci Dadisman wrote an article for ArtsHacker today that focuses on a fun little tool from Capacity Interactive: the call to action (CTA) generator for arts marketers. It uses the same sort of straightforward Mad Libs formula you’ll find for traditional headline generators and applying it directly to something like a performing arts org CTA

How Accessible Is Your Website?

Fri, Mar 3, 2017
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Did you know that a routine boilerplate included in many grant agreements (especially those from government sources) stipulates the receiving organization agrees that their website complies to accessibility standards? How confident are you that your website meets WCAG 2.0 standards? Right. That’s what I thought. Fortunately, there are some super easy tools you can use

Are You Aware Of The Women Composer Database Project?

Thu, Mar 3, 2017
Women Composers Project
On 3/16/2012, composer and arts administrator Rob Deemer wrote an article for NewMusicBox that included a list of women composers. His motivation was rooted in discussions from that time about women composers and since then, that simple list has grown into a full-fledged database project. I contacted Deemer to learn more about how the project
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