Drew McManus on the Orchestra business | est. 2003

Negotiations

Get On Board The Redline Express!

Thu, Oct 10, 2012
by Drew McManus
At the end of last month, I published an article that examined the value of comprehensive perspective when it comes to considering proposed changes in collective bargaining agreements. Since then, I have obtained a copy of the complete redline agreement the Minnesota Orchestra submitted to musicians as their last official offer (which was subsequently voted
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A Larger Look At Indianapolis

Tue, Oct 10, 2012
by Drew McManus
global
Back when the Indianapolis Symphony Orchestra (ISO) labor dispute and subsequent work stoppage was fairly new, Indiana native and urban affairs analyst Aaron M. Renn published an article at his website, The Urbanophile, that took a very long and hard look at what was transpiring.
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San Antonio Settles While Jacksonville Gets Called Out

Thu, Oct 10, 2012
by Drew McManus
It seems that the San Antonio Symphony decided it was time to get out of the crisis pool and announced that musicians and management reached a settlement thereby ending a season of post-expiration contract purgatory. Meanwhile, the Jacksonville Symphony Orchestra leadership found itself at the center of a scathing editorial by the Florida Times-Union.
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New Deal In Indy? If so, It’s News To The Musicians

Wed, Oct 10, 2012
by Drew McManus
The work stoppage at the Indianapolis Symphony Orchestra (ISO) took an unusual turn on 10/1/2012 when the orchestra’s board turned verbal provisions into a written offer with a deadline for musician acceptance of Saturday, 10/6/12 at 6:00pm ET. At first glance, it appears that the offer provided substantial increases over the previous offer by providing
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A Busy Weekend of Rejections and Unemployment

Mon, Oct 10, 2012
by Drew McManus
(Updated 10/1/2012 11:45pm CT) It was a busy weekend in the crisis coral: the musicians at the Minnesota Orchestra (MO) and Richmond (VA) Symphony Orchestra (RSO) officially rejected final offers from their respective employers while the Indianapolis Symphony Orchestra (ISO) musicians began filing for unemployment.
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PROFESSIONAL DISCLOSURE

Given the author’s position as an arts consultant and technology provider, he does not publish articles examining or focusing on current clients without first obtaining the client’s written permission.

EDITORIAL COMMITMENT

In order to ensure accuracy and provide a comprehensive perspective on any topic, I allow any individual or person officially representing an organization that appears in any Adaptistration article to submit a response which will be published, unedited. Responses are limited to 200 words and must address the issues at hand and the individuals and/or organizations must also be willing to maintain an open dialog for continued discussion.